Accessories - Brushes

Ox-Hair Brush

The great versatility of these brushes guarantees optimum resultsin application of a variety of painting and decorative techniques. Strong and flexible, they retain their shape well even after prolonged use, making them particularly well-suited to oil paintingand all techniques involving full body.

Kolinsky Sable Brush

Top quality sable brushes are the fruit of a careful selection. Kolinsky sable from Russia provides the painter with exceptional softness and suppleness. The outstanding ability of these brushes to retain water without alteration of the brush tip makes themessential for watercolours. The fine, firm hair leaves no trace on the painted surface.

Toray Synthetic Brush

Top quality Toray synthetic brushes are widely used with acrylic colours. Flexible and supple, they preserve their shape perfectlyeven after prolonged use. They can also be used in oil and gouache painting. The fine synthetic fibres of which they are madeare ideal for even applications, flat fields or detailed work.

Royal Soft Grip

Synthetic hair brushes with exceptional elasticity, ability and durability. They have a transparent polycarbonate handle with an ergonimic grip in rubber. They combine excellent performance, good price and modern design.Only for Italy.

White Bristle

White bristle brushes are made exclusively of pure hog's bristles which make them exceptionally strong and resistant. Universally recommended for sketching, they are widely used in oil, gouache and acrylic painting. The large size of the bristles makes them ideal for painting thick coatsand full body, and when the mark of the brushstroke must be emphasised.

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Degree of lightfastness

Highest degree of lightfastness

Symbol GHS (Globalisation Harmonisation System)

Hazardous to thea quatic environment

Cmr1, Stot1 Aspiration hazard

Skin irritation

Flammable liquids

Explosives

Compressed gases

Oxidizing Liquids

Acute toxicity

Skin corrosion

First application: 100% Maimeri Puro colour: Maimeri Puro tints are highly concentrated so some colours appear very dark when used in their pure form.

Second application: 50% Maimeri Puro colour + 50% Colourless Medium, i.e. a neutral unpigmented paste. This medium is used for thinning the tints, enhancing the flow and emphasizing the depth of the thinned colour.

Third application: 10% Maimeri Puro colour + 90% Glazing Medium to emphasize the sheen of the tint and the different degree of opaqueness between the colours.

Fourth application: 50% Maimeri Puro colour + 50% Titanium White, to emphasize the undertone of the tint and highlight the concentration.